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| College of Liberal Arts & Sciences > > Faculty Listing |
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| Barrett Watten |
| Title |
Professor |
| Office# |
9204.4, 5057 Woodward |
| Research Area |
American modernist and postmodernist literature; modernism and social modernity; linguistics and poetics; subjectivity and literary form; cultural politics; historical narration and national identity; the avant-garde; contemporary poetry and poetics. |
| Phone |
(313) 577-3067 |
| E-Mail |
b.watten@wayne.edu |
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Home Page
Education
AB, Biochemistry, University of California, Berkeley, 1969 MFA, English, University of Iowa, 1972 PhD, English, University of California, Berkeley, 1995 Dissertation: Horizon Shift: Progress and Negativity in American Modernism
Awards
Fulbright Senior Fellowship, Universität Tübingen, 2005 René Wellek Prize, American Comparative Literature Association, 2004
Books (critical)
The Constructivist Moment: From Material Text to Cultural Poetics (Middletown, Conn.: Wesleyan University Press, 2003) Total Syntax (Carbondale, Ill.: Southern Illinois University Press, 1985)
Books (creative)
Progress/Under Erasure ( Los Angeles : Green Integer, 2004). New edition of two book-length poems
Bad History (Berkeley, Calif.: Atelos Press, 1998; 2nd printing 2002). Experimental prose poem
Frame: 1971–1990 (Los Angeles: Sun & Moon Press, 1997). Collected poems
Leningrad: American Writers in the Soviet Union , with Ron Silli¬man, Lyn Hejin¬ian, and Michael Davidson (San Francisco: Mercury House, 1991). Multi-authored prose narrative
Chapters
“Foucault Reads Acker and Rewrites the History of the Novel,” in Lust for Life: The Life and Writings of Kathy Acker, ed. Carla Harryman and Amy Scholder ( London : Verso, 2006)
“Poetics in the Expanded Field: Literary, Visual, Digital . . . ,” in New Media Poetics, ed. Adelaide Morris and Thom Swiss ( Cambridge, Mass. , : MIT Press, 2006)
“What I See in How I Became Hettie Jones,” in Nancy Grace and Ronna Johnson, eds., Girls Who Wore Black: Women Writing the Beat Generation (New Brunswick, N.J.: Rutgers University Press, 2002)
Articles
“The Turn to Language and the 1960s,” Critical Inquiry 29, no. 1 (Fall 2002)
“The Lost of Love: A Genealogy,” Genre: Forms of Discourse and Culture 23, nos. 3-4 (Fall/Winter 2000-2001 [appeared winter 2002]).
“An Epic of Subjectivation: The Making of Americans,” Modernism/Modernity 5, no. 2 (Spring 1998)
Recent conferences and panels
Conference co-organizer, Authorship and the Turn to Language, Universität Tübingen, , , December 2005
Conference co-organizer, Diasporic Avant-Gardes: Experimental Poetics and Cultural Dislocation, University of California, Irvine , November 2004
Round table on “Poetics of Diaspora and Displacement,” American Comparative Literature Association Conference, Pennsylvania State University, March 2005
Panel organizer, “Modernisms Right and Left,” Modernist Studies Association, Vancouver , B.C., , September 2004
Panel organizer, “Modern Authority,” Modernist Studies Association, Birmingham , , , September 2003
Recent public lectures
“Transposing the Limits of Organic Form: Language Writing and Anthony Braxton,” Current Free Practices in Music and Poetry, New York University (March 2006)
“Authorship Under Erasure: Poetics in the Expanded Field,” Universität Erlangen, , December 2005; Ruhr Universität, Bochum , December 2005; Universität Göttingen, , , January 2006
“Language, Memory, and History in Postmodern Poetry,” with Rachel Blau DuPlessis, Universität München, December 2005; Universität Mainz, December 2005
“Authority, Personality, and Poetry: From the Cold War to the Era,” Authorship and the Turn to Language, Universität Tübingen, December 2005
“Global Conceptualism,” American Comparative Literature Association Conference, Pennsylvania State University , March 2005
“Cold War Universals and the Poetics of Displacement,” Post-Soviet Culture and Theory, Duke University , February 2005
“Franco/Luambo Makiadi’s Universalism,” Diasporic Avant-Gardes: Experimental Poetics and Cultural Dislocation, University of California, Irvine , November 2004
“Distributions of Authorship: Poetry as a Scene of Decision,” Department of English, SUNY Buffalo, March 2004; Humanities Center Fall Symposium, Wayne State University , November 2004
“Left Modernism, Social Articulation, Permanent Avant-Garde,” Modernist Studies Association, Vancouver , , , October 2004
“Zukofsky’s Historicism,” Louis Zukofsky Centennial Conference, Columbia University/Barnard College, September 2004
“Olson’s Historicism,” Poetries of the 1940s, American and International, University of Maine of , June 2004
“Distributions of Authorship: Poetry as a Scene of Decision,” Department of English, SUNY Buffalo , March 2004
“Modern Authority,” Modernist Studies Association, Birmingham , , , September 2003
“Poetics in the Expanded Field: Literary, Visual, Digital . . . ,” Twenty-First Century Literature Conference, University of Louisville of , February 2003
“Foucault Reads Acker and Rewrites the History of the Novel,” Lust for Life: The Life and Writings of Kathy Acker, Fales Library, New York , University, November 2002
Critical responses
Barrett Watten: Contemporary Poetics as Critical Theory, special issue of Aerial, ed. Rod Smith (1995)
Publications available online
The Constructivist Moment: From Material Text to Cultural Poetics
Progress/Under Erasure
Bad History
Frame (1971-1990)
Leningrad: American Writers in the Soviet Union
Barrett Watten: Contemporary Poetics as Critical Theory
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